Kanye West says his posts are being marketed without his knowledge: ‘Just like Taylor Swift’

Kanye West took to Instagram on Tuesday to query Billboard’s report that his “camp” was quietly purchasing his music catalog, writing by way of Tales: “Identical to Taylor Swift…my posts are on the market with out my data.”

Billboard reported Monday that members of the rapper’s squad “selectively met with potential patrons to discover what sort of valuation his music catalog might carry,” estimating they’re looking for $175 million. In one other Instagram story, West posted a screenshot of a textual content message with an unnamed individual, with West asking, “Are you able to ask J who sells my posts,” seemingly referring to his supervisor J. Roberson.

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The individual replies “faux information”. “In fact each writer desires to use there [sic] The toughest to purchase. allowed. “

Representatives for West and its writer, Sony Music Publishing, didn’t instantly reply numerousRemark request.

As is commonly the case with West, there’s a lot to unpack within the state of affairs.

First, it is onerous to think about anybody in his camp unknowingly purchasing for their music rights, regardless of the frequent and fast turnover of his administration employees and his a number of ongoing tasks, the potential for miscommunication actually exists. With publishing and catalogs of recorded music on the rise in recent times, almost each main artist has noticed such gross sales – sources say Bob Dylan offered his publications for almost $400 million and his recorded music for almost $200 million – so it is no shock that Western representatives will expertise the state of affairs, Particularly since rising rates of interest and inflation fears have calmed the market in latest months.

Second, although West compares himself to Swift, the conditions are fairly completely different, even when somebody is purchasing his posts with out their data. Swift’s publication catalog was by no means on sale; As an alternative, a consortium led by Justin Bieber/Ariana Grande supervisor Scooter Braun paid $300 million for the rights to Masters owned by her former Large Machine label, which included her first six albums (including one other twist, Braun managed West for a pair completely different phrases in 2016-2018). ).

Whereas Swift mentioned she was initially unaware of a possible Large Machine sale and far in regards to the state of affairs stays unclear, she tried to buy her label masters earlier than closing the Braun-led deal, however discovered the phrases unacceptable. As an alternative, albums are within the means of recording new variations of those Large Machine albums (including a number of further tracks) and releasing them by way of their very own label, licensed to Common Music Group’s Republic Information. Simply 17 months after buying the Large Machine, Brown offered his curiosity for an enormous revenue.

West has hyped about being granted copyright and recorded music not less than twice up to now, even going as far as to publish excerpts from his contracts on social media in 2018. In September of 2020, he wrote on Twitter, “I do not put extra music on.” Till I end my contract[s]And in one other publish that features a screenshot of a textual content from an unnamed marketing consultant apparently claiming that his masters are price greater than Swift. (He has launched two variations of his album “Donda” and several other different songs since he made that assertion.)

As well as, paperwork he printed in 2018 confirmed that he was not solely nonetheless legally sure by these contracts, however that they have been renegotiated greater than as soon as on phrases very favorable to him, in accordance with present requirements. It additionally turned obvious that West apparently already owns the rights to lots of his recordings: the copyright to all of his albums from the 2016 “Lifetime of Pablo” album onwards is attributed to his firm Getting Out Our Goals II, LLC (a variation on his earlier label title, Getting Out Our Goals, typically shortened to GOOD) and licensed to his long-running label Def Jam, whereas the rights to his earlier recordings are attributed solely to Def Jam.

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